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As Simon Reynolds wrote around the 10th anniversary of Untrue:Д«urial is the one dubstep artist that people who donвЂ™t follow dubstep, or even electronic dance music, have latched onto. ItвЂ™s dark and sad and dripping with loss but always contains a glimmer of hope over time, that glowing core of yearning has grown brighter. But since then heвЂ™s chosen to issue 12's and singles, and his music has remained emotionally stirring.

William Bevan released two full-length albums as Burial including one stone classic, 2007вЂ™s Untrue. On the dancefloor everybody is a star, but Burial makes music for the lonely people hiding in the shadows. вЂњIвЂ™m going hunting for mysteries IвЂ™m going to prove the impossible really exists,вЂќ BjГ¶rk sings on the austere вЂњCover Me,вЂќ each note aglow with a sense of discovery. Maybe it was the punk-surrealist in her, saying doors are only locked if you believe them to be, that what exists inside your mind is already real. Instinct became BjГ¶rkвЂ™s personal law, and boundlessness became her key. When she sang in accordance with the moss and the hills, perhaps it was a result of studying Cage in school: music was everywhere. BjГ¶rk absorbed the peaks and valleys, light and dark, twists and turns of her reality, arriving nowhere conventional. Walking 40 minutes to school, a young BjГ¶rk entertained herself by singing: sneaking down to the moss on the ground to whisper a verse, running up a hill to unleash a chorus loudly against the wind. It is an extreme landscape of glaciers and volcanoes, of barrenness and eruptions, endless daylight in summer and mostly darkness in winter. BjГ¶rk said Iceland itself, not other singers, shaped her voice. BeyoncГ© has a cultural sixth sense for finding the busted seams between regions and eras and styles, and the performance saw her stitching those breaks back together in a way that made them new again. In a way, all of it was a prelude to SaturdayвЂ™s set, which felt like her most definitive statement yet, the kind of show that requires a deep and widely-known catalog, ideological ambition, and a thorough knowledge of history (musical and otherwise). Think about the вЂњFormationвЂќ video, in which a Black child dances in front of a line of cops wearing riot gear, or her Super Bowl halftime show, where she paid homage to the Black Panthers, or her Lemonade longform visual, in which she reimagined images of American wealth and power with Black women at the forefront.

Increasingly, BeyoncГ© has used her art-that is, everything: the albums themselves, but also her videos, her tours, Instagram, and so on-to examine power imbalances and to show how people blanch when those imbalances are brought up to the surface for examination. When he says he does whatever he wants, we believe him. HeвЂ™s a beacon of light in barrios around the world, an example for kids with secret skirts or Smashing Pumpkins CDs of what being yourself can look and sound like.

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Standing on top of the world, with access to abundant fame, wealth, and critical success, he appears free of any pressure to conform, even to previous versions of himself. As Matthew Ismael Ruiz wrote in his review of 2020вЂ™s El Гљltimo Tour del Mundo:Д«ad Bunny toes the line between rap braggadocio and vulnerable everyman with relative ease-even while crooning about alien sex. He has also proven to be something of a pop progressive, too, whether pushing against received notions of masculinity in his eye-catching dresses, or speaking out against misogyny, homophobia, and gender violence in his songs, videos, and performances. He soon became one of the most visible and versatile figures in Latin pop, fusing reggaetГіn, bachata, dembow, trap, alt-rock, and more in giddily shape-shifting fashion.

Benito Antonio MartГnez Ocasio, a native of the working-class Almirante Sur neighborhood of Vega Baja, Puerto Rico, was a 22-year-old college student pulling shifts at the local supermarket when his first hit, вЂњDiles,вЂќ blew up on SoundCloud in 2016.

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